飲品
Ceramic
My practice begins with an interest in relationships: between people, and between people and the sacred.
Working across ceramics and floristry, I explore the vessel as a site where these connections take form. The shapes and rituals I grew up with in Taiwan run through the work: temple incense tracing invisible boundaries, offerings that transform through fire, flowers that mark the passage from one state to another.
The vessels I make carry traces of shared structure: openings that belong to the same body, lines that bind and unravel, materials that age at different speeds within the same form. Clay endures the kiln; flowers bloom and fade within it.
The tension between what remains and what disappears, between what is shared and what diverges, sits at the centre of my work.
